“Upstream Color” is as enigmatic as filmmaking gets — not in a casual way, but determinedly, even willfully. Being completely understood at first glance is not on creator Shane Carruth’s agenda, but ...

Shot on 16 mm film on a mere $7,000 budget, 2004’s “Primer” stands among the brainiest sci-fi movies ever made. But the technical story didn’t depend on a multi-million dollar Michael Bay budget — the ...

Filmmaker Shane Carruth’s micro-budget breakthrough “Primer” was a dense, realistic time travel drama of the sort nobody had seen before. Judging by his long-awaited second feature, “Upstream Color,” ...

Although he insists that the film is not too difficult to describe, there’s no use trying to sum up this enigmatic, breathtaking work in a mere couple sentences. Instead, why don’t you just go ...

Nearly 10 years after shooting Primer (2004), Shane Carruth is finally back with Upstream Color, and it turns out the movie has been shot on the Panasonic GH2! Primer had been shot on Super16 for ...

When Shane Carruth’s Upstream Color premiered at the Sundance Film Festival in 2013, one of the only available promotional images for the film was a pitcher of ice water. The pitcher sat on a table ...

Given that yesterday’s post occasioned some discussion about spoilers, a brief preamble to my review of Shane Carruth’s Upstream Color (A): If you want to preserve the experience of seeing the film ...

The Museum of Modern Art and the Film Society of Lincoln Center have jointly announced seven official selections for the 2013 New Directors/New Films Festival (ND/NF), which runs March 20–31, 2013.