Once you get over the shock that Shakespeare’s immortal masterpiece has been turned into a stereotypical Italian opera of the early 19th century, where minor character Rodrigo, now in love with ...
Terrance McKnight: This is Every Voice with Terrance McKnight. It’s a new podcast from WQXR that interrogates the culture of our classical music scene and we look at ways to make it beautiful for all ...
Unlock access to every one of the hundreds of articles published daily on BroadwayWorld by logging in with one click. The closing of the Monte-Carlo Opera season of 2018-2019 could not have ended ...
Plus, get the best of BroadwayWorld delivered to your inbox, and unlimited access to our editorial content across the globe. Now, due to the pandemic, they are singing from their own homes. At its ...
Opera companies worldwide revere Giuseppe Verdi's adaptation of William Shakespeare's "Othello." Yet they rarely perform it. The story of a war hero tricked into thinking his wife is unfaithful, ...
Los Angeles Opera began last week with the Pulitzer Prize announcement that “Omar,” the acclaimed new opera by Rhiannon Giddens and Michael Abels, was being honored as the year's best musical ...
OPERA lovers have waited with eager anticipation for the role debut of the highly acclaimed Jonas Kaufmann in Otello, judged to be Verdi’s most demanding tenor part. It requires a rich baritonal ...
At Grange Park Opera, the great Simon Keenlyside (pictured below) threatened at several points to overwhelm David Alden’s new production: a dominance rubbed in by his silent, watchful presence at the ...
In 2015, the Metropolitan Opera decided to end its practice of using dark makeup for the tenor singing the title role of Verdi’s “Otello.” While that decision prompted considerable discussion about ...
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